Representations of Integration in the Drawings of Asim Abdel Amir
The current study (representations of integration in the drawings of Asim Abdel Amir)، which included four chapters، the first chapter dealt with the methodological framework of the research، which contained the problem of the question: (How to integrate into the drawings of the artist Asim Abdel Amir?)، While ensuring the importance that manifested To study the concept of integration and its effects in the artistic field، as well as the objective of the research: (to reveal the representations of integration in the drawings of the artist Asim Abdul Amir) and limits of research: the concept of integration and its representations in the drawings of the artist Asim Abdul Amir for the period (2001-1998) and implemented in different materials in Iraq. While the second chapter included the theoretical framework and previous studies، which included two topics came the first under the title: the concept of integration and psychological representations، while the second section dealt with the features of integration in contemporary Iraqi art to the previous studies.
While the third chapter has included the research procedures، which included the research community، which included (20) work for the artist، and the sample of the research was selected (3) models for analysis besides the research method adopted by the researchers، which is the method of analyzing the qualitative content to analyze the research sample.. If the researchers adopted The content analysis tool after verifying its validity، and ensuring the formulation of paragraphs، and the apparent validity of the tool (%86) and the stability of the tool after analysis sample by two experts and obtained stability at a rate (%89) and then analyze the sample. The fourth chapter contains the findings، conclusions، recommendations and proposals.
- The artist Assem Abdel Amir incorporated psychological and social themes represented by his drawings clearly and topics: the artistic، environmental، and civilizational heritage Mesopotamian and Sumerian civilization and characterized his style of reduction and simplification and flatness in his work was spontaneous.
- Embodied integration in the artist's products through virtual scenes inhabited the imagination of the artist and symbolic plastic dimensions adopted by the artist in the self-expression of his concerns.
In addition to the most important conclusions: the emergence of integration as a concept in all artistic periods from the beginning of its appearance to this day، but there has been a shift in the form of the concept and its content and implications in every era from other epochs embodied in the Iraqi plastic art in various forms and varied.
Up to the research proposal tagged (integration and representations in the arts of the Middle Ages).