The Aesthetics of Color Contrast in Kenneth Prices Ceramics

  • Esraa Fadhel Omran College of Fine Art /University of Babylon
Keywords: Aesthetic, Chromatic, Earthenware

Abstract

 The current study examine the aesthetics of color contrast in Kenneth Price ceramics  by describing  the potter's work to produce differences in the ceramic form  types suitable in terms of the aesthetics of the ceramic form and the follow –up of aesthetic color and texture. The research contains four chapters ,The first chapter includes the research which can be identified by the following questions.

 

1-Does color contrast have a role in expressing the same artist Kenneth Price

2- What are the implications of color ? Do colors have symbolic dimensions in   price's ceramics?

The aim of the study is in. The property of chromatography aesthetics in Kenneth price ceramics. The research is determined by studying the products of contemporary American ceramics within the period of time specified between (1974 – 2012).

1-The objective limits. The current research is determined by studying the aesthetics of color contrast from the ceramic work done.

2-Spatial b oundaries. The research is determined by ceramic works done in America.

3-Temporal limits. the researcher determines the time of (1974 – 2012)as   this period is one of the richest periods of production with the potter well as terminology.

 

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Published
2020-02-10
How to Cite
[1]
E. F. Omran, “The Aesthetics of Color Contrast in Kenneth Prices Ceramics”, JUBH, vol. 28, no. 1, pp. 248 - 272, Feb. 2020.
Section
Articles