Metamorphoses and their representations in theatrical currents

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نجلاء عطية جرد
محمد عبد الرضا ابو خضير

Abstract

All agree that the theater in particular, art and literature in general expressive spaces and aesthetic incubator that embraces the ideas and visions of humanity in all forms of taste and knowledge and value throughout the history of human transport all and that the study of a culture necessarily comes from the study of the literary product and technical culture that it represents a field and home to the aspirations of those Culture and its own identity.


To investigate the aesthetics of metamorphosis and to achieve the goal of research, we must transcend the boundaries of theatrical text to go searching for the concept of metaphors, historical, philosophical, intellectual and visual, and how the text of the theater hosted the concept of metamorphosis between the folds and the connection of this concept with the stories of miraculous and irrigated stories of paranormal and superheroes and experiences from the Grotesque to fantasy films Scientific and many ramifications of metamorphosis transformations in existence, science and arts.


The concept of metamorphosis can be traversed as a transformation of the body, which involves what is inside the body, such as self, intellectual and psychological transformations or what is outside the body as changes and transformations of things, places, crises and other organisms.


However, modern translations of Kafka, Gilles Dulloz, Adonis, the supplier, the Oxford dictionary, etc. have been translated into transformations, which include the areas of life in general, and transformations are not as problematic as being problematic, which can not be grasped by their pain and lack of limitation.


The current research included a simplified summary of the research, the methodological framework, and part of the theoretical framework, called the Mitamorphos and its representations in the currents of the theater. This part embraced the old classical and the era of enlightenment and renaissance, and the passage of many literary productions to Shakespeare and the analysis of the storm play.

Article Details

How to Cite
[1]
“Metamorphoses and their representations in theatrical currents”, JUBH, vol. 26, no. 4, pp. 404–426, Jan. 2018, Accessed: May 07, 2025. [Online]. Available: https://www.journalofbabylon.com/index.php/JUBH/article/view/1238
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Articles

How to Cite

[1]
“Metamorphoses and their representations in theatrical currents”, JUBH, vol. 26, no. 4, pp. 404–426, Jan. 2018, Accessed: May 07, 2025. [Online]. Available: https://www.journalofbabylon.com/index.php/JUBH/article/view/1238

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