Humanitarian Propensity and its Representations in the Global Theatrical Text
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Abstract
This study examines Humanitarian Propensity and its Representations in the Global Theatrical Text that appeared in important temporal junctures beginning with the Renaissance in which the period of humanity appeared and which reached its peak in the sixteenth century, through the seventeenth century, and the eighteenth century (The Age of Enlightenment) And, up to the nineteenth century، and elegant of the twentieth century, which witnessed two world wars brought ruin to humanity.
research results:
- Humanity respects the multiplicity of cultures and religions, the difference of languages, color and nationalities.
- The theatrical text is a human speech that speaks in the name of every person in the world.
- Dramatic writers believe in social issues and human freedom, and their goal is directed towards man، wherever he is.
- The theatrical text became an expression of the tragedy of modern man in the twentieth century, a person of fear, hunger, anxiety and surrender، a man of emptiness, pain and loss.
- Man is the most important thing in existence, and openness to the other is the essence of humanity.
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How to Cite
[1]
“Humanitarian Propensity and its Representations in the Global Theatrical Text”, JUBH, vol. 28, no. 7, pp. 20–35, Oct. 2020, Accessed: May 03, 2025. [Online]. Available: https://www.journalofbabylon.com/index.php/JUBH/article/view/3132
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Articles
How to Cite
[1]
“Humanitarian Propensity and its Representations in the Global Theatrical Text”, JUBH, vol. 28, no. 7, pp. 20–35, Oct. 2020, Accessed: May 03, 2025. [Online]. Available: https://www.journalofbabylon.com/index.php/JUBH/article/view/3132