The Effect of the Radical Agents on the Dual Theatrical Discourse and Ideological Media in Iraq

Abstract

The theatrical and journalistic discourse went in history through ideological shifts that came due to the tools of the traditional discourse directed with the possession of the capitalist authorities that would establish official and public press means. Reviving social security and honesty of information and news, radicalization comes in terms of the deviation of opinion, in line with ideologies directed to serve the agendas of the press that ride the space of incitement, especially in light of political hegemony and political censorship. Overdrive is a theatrical show, a dualism that works to revive the show as a social phenomenon against reactionary that dominates the minds of societies. However, the media is a very important role in producing social awareness and creating spiritual communication with the contents of the news and between the audience who listens or reads the news of the hour to achieve a kind of keeping pace with events Local and global, and because the media is the only tributary in the news with information and figures, this has contributed to feeding societies with information that stimulates public opinion and develops the spirit of liberation through the information movement that makes the opinion and the other opinion and informs the objectivity of events, it has contributed in a way Financial and cultural achievement in the anti-deduced from distortion, lies and rumor psychological warfare if the state of the play, which carry the same

 formats and labels directed.