Aesthetics of Nature in Romantic Art

Abstract

The current research deals with the topic (Aesthetics of Nature in Romantic Art) and consists of four chapters. The first chapter posed the problem of research, its importance and the aim of the research. The research problem focused on the following questions (What are the most important aesthetic features that the romantic artist adopted through his unique view of nature and how was this reflected on His plastic artistic accomplishment is in error and color, in form and content?) As for the second chapter, it included two topics: the first (beauty in romantic thought) and the second topic (nature in romantic art). Intentionally, the fourth chapter deals with the results, including:

1-The aesthetic of romantic nature paintings emerged through a perfect realism in the technical and stylistic side by abandoning tradition and craftsmanship while choosing aspects of nature in which the artist responds to his sense of the beauty of the scene and the naturalness as shown in the sample (1, 2 and 3)

2 -The artist’s interest in conveying his psychological and subjective experience with nature, which was reflected in the artist’s style and his representation of nature scenes loaded with his desires, worries, and lived experience as shown in the sample (1, 2 and 3.)Research Summary

1-The aesthetic of romantic nature paintings emerged through a perfect realism in the technical and stylistic side by abandoning tradition and craftsmanship while choosing aspects of nature in which the artist responds to his sense of the beauty of the scene and the naturalness as shown in the sample (1, 2 and 3).The current research deals with the topic (Aesthetics of Nature in Romantic Art) and consists of four chapters. The first chapter posed the problem of research, its importance and the aim of the research. The research problem focused on the following questions (What are the most important aesthetic features that the romantic artist adopted through his unique view of nature and how was this reflected on His plastic artistic accomplishment is in error and color, in form and content?) As for the second chapter, it included two topics: the first (beauty in romantic thought) and the second topic (nature in romantic art). Intentionally, the fourth chapter deals with the results, including:

2- The artist’s interest in conveying his psychological and subjective experience with nature, which was reflected in the artist’s style and his representation of nature scenes loaded with his desires, worries, and lived experience as shown in the sample (1, 2 and3.).