Ambiguity Connotations in the Characters of Contemporary Iraqi Theatre Performances

Abstract

The world theater in general، and the Iraqi one in particular، is considered a fountain and an intellectual and aesthetic incubator and a source of educational and psychological culture to which societies and behaviors elevate because of the educational and artistic sciences that contribute to reforming behavioral deviations with aesthetic broadcasts that illuminate and enlighten the minds of the characters.

The first chapter included the research problem with its following question: (What are the implications of ambiguity in the characters of contemporary Iraqi theater performances)، and the importance of the research was attributed to the study of (implications of ambiguity) as a widespread aesthetic، dialectical behavioral phenomenon at the intellectual، educational، psychological and social levels embodied in confusion، ambiguity and misunderstanding The behavior of the characters in the theatrical performance And determining the goal that focused on identifying the implications of ambiguity in the characters of contemporary Iraqi theater performances، with defining the boundaries (temporal: 2010-2020) and (spatial: Iraq)، and (topic: studying the implications of ambiguity in the characters of contemporary Iraqi theater performances)، especially Procedural definitions of the concepts contained in the title of the research.

The second chapter (the theoretical framework) consisted of two sections، with mentioning the indicators that resulted from the theoretical framework، and the researcher did not find a previous study or adjacent to the title of his research. He touched on the connotations of ambiguity in the personalities of the texts of the world stage. The third chapter included the research procedures، in which the research community was identified، which consisted of (11) A theatrical performance، and the research sample chosen by the researcher was extracted from it in the intentional way، represented by the two plays (Women's Playing) and (Inter View) based on the descriptive (analytical) approach in the sample according to the nature of the research.