Habit and its Representation in the Performance of the Arab Theatrical Actor

Abstract

Habit as a concept is all the preparations ingrained in the mind of the theatrical actor, which are gradually formed in his subconscious, and take their strength from the natural stages that the actor goes through during the stages of his life, and from which he derives sub-concepts that also contribute to strengthening the mental firmness of the actor, and from these Concepts are values, principles, traditions and rituals, and their work is represented in the actor’s performance by attending to the well-established mental images of behavioral actions, at the moment when the actor confronts the dramatic situations common to him and the other actor.

The study tagged (the habit and its representation in the performance of the Arab theatrical actor) consists of four chapters, the first chapter consists of the research methodology and includes (1- the problem of the research, 2- the importance of the research and the need for a mechanism, 3- the aim of the research, 4- the limits of the research, 5- defining the terms), The second chapter included the theoretical framework of the research and included 1- Habit conceptually, 3- Habit in the performance of the global theater actor (Western-Arab), while the third chapter included research procedures, and included 1- the research community, 2- the research sample, 3- research methodology, 4- The research tool, 5- sample analysis, the performance of a play (last time) was analyzed, and the fourth chapter included the most important results of the research. The researchers obtained results during the sample analysis, the most important of which are: Reproduction of creative aesthetic formulas to form intellectual threads that converge between the same actor and the objectivity of the theatrical event). The chapter also included conclusions, as well as documentation margins, and concluded with sources and references.