Paradigma in Contemporary Iraqi Theatrical Performance

Abstract

Theater is considered a comprehensive art, and therefore it seeks to benefit from everything new and discovered in other fields. Paradigma, as a scientific term, is based on demolition and construction, but this is not done arbitrarily, but rather with laws and regulations in which one thing is replaced by another that is more acceptable, and this is reflected in the theater as well, as the theatrical discourse that does not meet the needs of today becomes a traditional system, and therefore the revolution against it becomes a paradigma A new one that includes letters of presenting a new play, so the research contained four chapters. As well as the importance of research and the need and limits of research (temporal, spatial and objective) in addition to the terminological and procedural definitions. As for the second chapte, it included the theoretical framework, which contained three sections: the first section included the conceptual formation of the term, the second section included the paradigmatic transformations in technology systems, and the third topic came: the paradigma in global theatrical experiences. As for the third chapter, it contained the research community and its sample, which was represented by the play Amal by director Jawad Al-Asadi, as well as the research tool and research methodology. The fourth chapter contained the results and conclusions, and the research concluded with a list of sources and references.