Aesthetic Dimensions of the Collagraph Technique in Digital Works: Works of Artist Jwan Landao as a Model

Abstract

The current study, tagged with (Aesthetic dimensions of the graphic collagraph technique in digital works) characteristics of the chllagraph technique in light of its historical change in terms of its origin and development, and also the definition of digital art, which relies entirely on computer software, which enriched the outputs of this technology in contemporary graphic art. In order to reveal these technological capabilities, the current research came according to four chapter, the first chapter included the methodological framework of the research, in which the research problem was presented, which is: What are the aesthetic dimensions of the graphic collagraph technique in digital works? After that came the importance of the research and the need for it, followed by the limits of the research and the goal, then defining the terms.

As for the second chapter, it examined the theoretical framework, previous studies, and indicators of the theoretical framework. And the second topic (digital art) I defined and discussed in it the history of the emergence of this art, its founders, and the pioneer artists who excelled in accomplishing digital works according to digital technologies, and then the indicators of the theoretical framework. The third credit included defining the research sample community and models, the research tool and the research methodology, and then pickling the divination sample models consisting of (5) models. The fourth chapter was devoted to the review Results, discussion and conclusions recommendations and proposal.