Image Treatments of Animal Figures in Contemporary Ceramics

Abstract

The current research included (imaginary treatments of the animal form in contemporary ceramics) an attempt to study and understand the recipient of the concept of the imagined mental artistic image and how it works, implications, effects and treatments as a means of expression and intellectual and aesthetic communication. As the imaginary mental artistic image in animal forms established a clear thought, expression and creativity in the construction of the ceramic achievement, which requires us to indicate its value, importance and strength. Based on the nature of the study of the subject, the research was divided into four chapters, the first chapter of which included the problem of research, its importance, the need for it, and the aim of the research (imaginary treatments of the animal form in contemporary ceramics). The chapter was concerned with defining the most important search terms. As for the second chapter, it consisted of two sections, the first section included (regulatory treatments for the artistic image), while the second section included (imaginary treatments for the animal form in art), and the chapter ended with indicators of the theoretical framework and previous studies. The third chapter included the research procedures, as it included the framework of the research community, which amounted to (15) models, from which a sample was extracted in an intentional way, as it amounted to (3) sample models that covered the limits of the research by adopting the descriptive method for analyzing the research sample. The fourth chapter included the results, discussion, research conclusions, recommendations and proposals, which expressed ideas and contents based on the applications of the intellectual dimensions of pictorial treatments in contemporary ceramic animal forms.