The Super Character and its Representations in the Modern European Painting

Abstract

The current research is a study of the supernatural qualities in the philosophy of the West and their representations in the arts of modernity at the level of the philosophical construction of the supernatural qualities through the analysis of some artistic works in the arts of modernity. The first chapter dealt with the research problem that was identified by the following question: Are there supernatural qualities in European philosophy represented in European art the talk? The aim of this study is to identify the discovery of the employment of the concept of the supernatural man in European philosophical thought, and we relied on the descriptive and analytical method in analyzing samples within an artistic and philosophical framework. which I have known to this day, and despite the criticism directed at his philosophy in general, this criticism did not diminish its importance in the history of human thought. Nietzsche, his philosophy is an attempt on his part, in his own way, to expose the moral values ​​that man believed in hundreds of years ago and to reveal the falsity that they contain. Man, among all living creatures on the surface of the earth, can look at himself critically, not in the sense that He looks at himself with a look of dissatisfaction with a certain act or situation that he is experiencing, as animals also enjoy that, and not in the sense of depression that the animal feels as well, but rather in the sense that he looks negatively at his being, but rather at his entire way of existence, and he sees that it is not the reality that the animal feels. You should be on it. A person always judges himself, and when he judges himself in a rational and fair trial, he condemns himself and denounces himself, so he reaches the truth of his imperfection.